This piece addresses the marketing concerns for Zack Snyder's Watchmen, set for release this March.
It prompted me to go to Ain't It Cool News for the first time in awhile and do a search for any updates on the status of the studio war that's underway now, and any new clips or reports on the nature of the film itself. I've read Watchmen, so I'm not concerned with plot-spoilers.
I found this breathless response to twenty-five minutes shown late last month. This is heartening news, because the material deserves great attention to detail and a propensity for balancing two very serious aspects of the story, and we may be getting that.
The visual aspect of Watchmen, with its expansive locations and intricate designs (as well as interdimensional beings!) has been a concern for anyone attempting to tell the story (other than Alan Moore and Dave Gibbons, of course). It hasn't taken off as a project until now simply because certain aspects may have been close to unfilmable. The trailer we saw before The Dark Knight put those worries to rest, assuring us that, visually, Zack Snyder is indeed the man for the job. It looks picture-perfect to what we read on the page.
We also have to contend with the more pedestrian interior scenes and self-reflective depression of many of the characters in Moore's story. That alone could be more unpalatable (if not unfilmable) to modern audiences, than anything else going on.
Having said that, the Aint It Cool report, and the trailer, have given me pause. I can't really call myself a fan of the revamped Dawn of the Dead, though I admit to having a marginal affection for 300. If Dawn of the Dead isn't entirely successful, it does have maybe the most audacious first twenty minutes of any zombie movie, and 300 was visually striking enough to indicate an incipient, boldly visual filmmaker, perhaps on the edge of a purged adolescence. To get Watchmen right is not the job of an adolescent, but Snyder has showed a very careful adherence to source material. I'm optimistic. He could be a great director.